![]() Baskerville is among the best print fonts for fiction novels. Using a common font, one you can reasonably assume your readers are familiar with means they’ll likely never think about your choice.Įach of these three fonts are great for printing-but each has a specific kind of printing they’re used for. The most important of your font’s many jobs is to go unnoticed. Why use a font that looks like Baskerville when you can just use Baskerville? Putting all those expectations into perspective, how do we ever decide on a font for your body text? When there are literally thousands to choose from, the right answer is to just keep it simple. And making sure every line of text is a pleasure to read. This is what it’s all about, right? Creating your custom book so it looks amazing. If I was laying out a novel for printing, I would never use Calibri while Baskerville is my go-to. Can you see why? It might be a touch hazy on your screen since I’ve screen captured from Word, but the lines are thinner and the serifs create horizontal consistency that leads the eye from word to word. ![]() ![]() ![]() Then we have Baskerville, a very common fiction font. Thick lines, no serifs, ample white space between the lines. The text on your page must convey your words, meet your reader’s expectations, and be easy to read.Ĭompare these samples of the same copy with differing fonts:Ĭalibri is Word’s default and looks just fine on the screen. The best fonts for books will be invisible. Too many fonts can be jarring for your reader. There’s no one answer to how many fonts you should use in a book, but if you’re putting your book together and you’ve got more than six different fonts for the interior and cover tone it down. Alongside those, you could use unique fonts for your front matter, header/footer content, and loads of other kinds of text-section titles, footnotes, the dedication, etc. Then you’ll have your primary font for the body text (like Baskerville) and another stylized font for your chapter titles (like Bigshot One). For example, you might use a block-style font for the title (like Gotham) and a serif font for the subtitle and other cover text (like Caslon). If you go pick up any book off your bookshelf, you’ll likely be able to find five or six different fonts in use. Your book cover fonts are important too-for all the same reasons. The line length, height, page size, page margins, and letter spacing are just a few elements that are affected by your font choices. The font is just one of many page design considerations you must balance when creating your book interior. Weight – the line thickness of the letters, and elements like bold and italics.Font Size – the size of your letting based on the points sizing scale.Sans Serif Font – plain lettering without a serif.Serif Font – a ‘serif’ extends the letter to add style and help your eye track the text.Font Family – the subset the font is based on Times is a font family and fonts like Times New Roman or Times Bold 18 point are examples of fonts in the Times family.Font – the combination of the family, weight, and size of a letter.I don’t want to get into long and technical explanations of everything that goes into fonts, so let’s just do a few quick bullets with the most important info for our post today. Understanding Fontsįont (or typeface) is one of those writing and publishing-related terms you’ll hear often used to describe a few disparate things. Selecting the best, standard book font for your book will directly impact the reading experience for your customers. But if you pick your fonts poorly, everyone will notice. Here’s the thing: if you pick fonts for your novel well, no one will notice. All while going unnoticed by those same readers. Rather, you need to select a book font that complements your graphic design and page layout while meeting your reader’s expectations. But what’s more important is not precisely the font you choose. The typography you use for your book is important. There’s a sweet spot you need to look for the best font to print a book in without becoming overwhelmed or petrified with all the choices out there. That’s not a free pass to ignore the font for your novel though. There’s no need to agonize over your book font choice. If you’ve asked yourself this question (which I assume you have), I’d like to take this opportunity to tell you to relax.
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